If we tried really hard to come up with something critical to say about the show as a whole, it’s that it sometimes veers a little close to beatifying its characters, as if every single inmate at Litchfield was either the victim of someone else’s evil or just a person who made a bad decision or wrong turn somewhere. It’s a good thing for the show to pull back a little from the broadness that defines its style and remind us that prison is also – and many would say “mainly” – a place to send people who are dangerous and sometimes even psychotic. There’s no better way to shock us into remembering this fact than by using a character like Lorna to illustrate it. Yes, it was one of those classic “Everything you THOUGHT you knew is a lie!” twists, but it was executed so perfectly that it made us wish we were watching a network or cable show in real time, just so we could get on twitter and gasp along with everyone else.
We thought it was pretty much a given that Christopher was not going to marry Lorna and assumed it was because he’d long since moved on. Anyone watching the show could see that her constant wedding planning was a total pipe dream and that she was just deluding herself in order to get through her sentence. But to find out that Lorna’s delusions are much stronger and go much further back than prison? To find out the extent to which she harrassed and threatened Christopher and his real fiancee, to the point of it being legitimately scary? That was a genuine “Whoa” moment. And yet, our hearts still break for her, even after the reveal that she planted a bomb under Christopher’s car. That’s a testament to the writing and to Yael Stone’s fragile, high-strung performance. The scene in Christopher’s house went from tense to full on batshit crazy slowly, letting you come to terms with the idea that Lorna is quite a different person than you thought. By the time she’s naked in the tub with a wedding veil on, you’ve got your face in your hands, begging her to get out of there; pleading with her not to get caught, even as you recognize that what she’s doing is very, very wrong. It was some of the best directing and acting the show has ever put together, making for one of the most talked-about sequences of the second season. A sharp, poignant turn that reminded us just when we needed the reminder of how much this show can be a knife to your heart.
It’s worked for white people, I figured I might as well give it a shot.
GET THIS GUY TO DISNEY WORLD DAMN IT
I want you to go man!
if this was a white girl this would have had the notes 3 weeks ago
People are sending him racist messages telling him it’s not gonna happen and he doesn’t belong in Disney World over this post. So we’re gonna reblog it even more.
I remember this guy! Wow, it’s still only a little bit over half. Rebloggan’!
I don’t normally do these ‘reblog if’ things, but hell, if it annoys racists, why not.
That’s kinda where I stand on things. I mostly ignore them, but kid, YOU’RE GOIN’ TO DISNEY WORLD.
I love how racists came to the party and we promptly got another 100k reblogs. Like, WE ARE WEE AND SOMETIMES PASSIVE AGGRESSIVE, BUT FUCK YOU, HE’S GONNA RIDE THE HAUNTED MANSION UNTIL HE’S DONE.
boys can like pink and not be gay
girls can have short hair and not be a lesbian
boys can like ballet
girls can like video games
boys can be hot without a six pack
girls can be hot without a hairless body
boys can have hair down to their waists
girls can have stretch marks, curves and back fat
gender doesn’t determine what you can and cannot enjoy, what you can and cannot look like or what you can and cannot do